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By Liza Wieland

A modest, quiet girl, Mara Raynor by no means dreamed she'd at some point locate herself in control of the small inner most college in Washington, D.C., the place for a few years she taught track and choir. yet after the unforeseen demise of her husband, the school's headmaster, Mara unearths herself thrust into the general public eye, confused not only with the duties of appearing headmaster---a function she by no means wanted---but additionally with a most likely explosive political and non secular controversy that assessments mom and dad' and college directors' spirit of tolerance.

When a Sikh scholar is stuck donning a ceremonial knife on institution grounds, worry spreads between mom and dad and the varsity board. Coming on the comparable second because the disappearance of Mara's teenage daughter, the debate fast assumes a much more own nature. not only any pupil, the Sikh boy is either the son of a lady with whom Mara stocks a classy earlier and---as Mara quickly discovers---her personal daughter's boyfriend.

As it strikes backward and forward in time among the college in modern Washington and a women' boarding university within the British nation-state in 1977, A Watch of Nightingales weaves a wealthy and textured exploration of worry and regret, the mysteries of affection, and the complex tensions that ring down the generations from guardian to child.

''Conjuring the entwined lives of lecturers and scholars in faculties (and generations) on each side of the Atlantic, A Watch of Nightingales stands along The best of omit Jean Brodie and Goodbye, Mr Chips as a testomony to the duties, rewards, and dangers of educating. this can be a ebook of luminous perception and quiet yet telling knowledge, approximately early life and adulthood and the bridge of loss and regret that connects them. Liza Wieland's is a mature and deeply relocating imaginative and prescient, conveyed in prose that sings as definite and transparent because the birds of her title.'' ---Peter Ho Davies, writer of The Welsh Girl

Praise for Liza Wieland: ''[T]here is a the Aristocracy and boldness to her characters that lends them a heroism lacking from a lot smooth fiction and makes those tales absolutely soaking up adventures of the heart.'' ---Ron Hansen, writer of Exiles: A Novel

''Liza Wieland knows all the way down to the bone how loneliness and love compel her characters to make their very unlikely offerings. not just does she have a searing intelligence and knowledge, her prose is through turns swish and astonishing.'' ---Jane Hamilton, writer of A Map of the World

Liza Wieland is the writer of 4 earlier works of fiction: The Names of the Lost; Discovering America; You Can Sleep whereas I Drive; and Bombshell, in addition to a quantity of poems, Near Alcatraz. Her paintings has been provided Pushcart Prizes, in addition to fellowships from the nationwide Endowment for the humanities, the Christopher Isherwood origin, and the North Carolina Arts Council. She teaches inventive writing and literature at East Carolina collage in Greenville, North Carolina.

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Example text

No, no,” she said, but not loud enough for anyone outside to hear. Then she sighed and turned back to the bed. Her face was blotched and pink. ” Mara said. “Oh dear,” Miss Ellis answered. ” She crossed back to the door and closed it, then came to sit at the foot of the bed. “You’ll hear it anyway. ” “There’s a child here called Olwen Barnes. She’s eight. She’s had a terrible time–mother died. Father’s new wife . . her daughter is here as well. Gina Whistler. ” Miss Ellis moved her hands in the air as if to fritter something away.

Rachel and John, sunset with a water tower in the distance, the clouds like a painting by Titian or a Raphael, Rachel with that same expression, staring off at something else. What was she looking at? She took the other two photos in her hands. One frame was heavy, ceramic with ›at stone inlays, painted pink and brown, blue and white. The other was smaller, made of wood, with a design like plantation shutters above and below the picture. Two Rachels, thirteen years apart. Back and forth, she studied them, this Rachel, that Rachel, the same expression, the gaze elsewhere, the half-smile, a ›icker of concern in the eyes.

Will this never end? ” At twelve-thirty, Mara called Phil, and told him what Fern had said. ” Phil said he would send Robert over and go himself immediately to Union Station to see what he could ‹nd out. Mara imagined the sound of it, in Washington and in Baltimore. Rachel Raynor, Rachel Raynor. Please, please. There would be people in the station who would smile and go on with their lives. But some would recognize Raynor. Maybe someone had seen her and would call. But no, Mara thought, being paged doesn’t mean anything.

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